“How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything.”
— Arundhati Roy, The Ministry of Utmost Happiness
20 years after the release of the classic Booker Prize winner The God of Small Things, Arundhati Roy releases her second work of fiction, The Ministry of Utmost Happiness. Although I have yet to read the former—I do plan on doing so in the near future—my first experience of Roy’s writing wasn’t exactly a very compelling one. Tackling the social climate and various taboo subjects in India and its proximity, Arundhati Roy brings readers the story of multiple different characters who will all have their lives connect together at an unlikely juncture. Focusing greatly on these characters and the unbelievable misery that clouds their lives, Arundhati Roy does the impossible and presents us with the relativity of happiness and the rarity of normality. She does so by embracing the Indian culture in all its forms and shows us in different forms the problems that people are submerged in for countless years.